I bi veće, i bi jutro, dan sedmi

收錄于《前南斯拉夫實驗映畫》。
Miodrag Milošević, yet another cameraman like Vladić and Djurić, had by 1977 become the director of the AFC, and together with previous director Ivko Šešić has managed to keep it alive and active as an archive and an amateur production house to this day. Milošević’s own work, like And Was Evening and Was Morning, the Seventh Day (I bi veće, i bi jutro, dan sedmi, 1975), demonstrates a kinship to the works of the Black Wave directors, not in style but definitely in his subjects of class, representation and sexuality.